Archive for January, 2004

Stuff!

Friday, January 23rd, 2004

Two posts about Stuff and the accumulation thereof. Eric Olsen has been ordering his record and CD collection, and it appears that he is one of the guys from “High Fidelity”. He even owns up to a Bay City Rollers album! Meanwhile Bruce Baugh has been getting rid of Stuff, notably Roleplaying games that he’s never actually played, and finds it cathartic to get rid of stuff that’s got negative mental associations. And it also means he’s got room to move in his apartment!

I’ve probably got too much Stuff. Most of it is model trains, accumulated over a thirty year period, rather than extreme quantities of RPG supplements. I’ve managed to collect vast fleets of N gauge stock for two different countries (Britain and Switzerland), which will need two separate layouts to run them all on. And if I hadn’t gone into internal exile up north, I might even have got assimilated into the club’s O Gauge Borg, and started a collection of much bigger stuff. And I’ve still got quite a bit of TT3 rolling stock left over from my teenage years, still gathering dust at my parents’ place. I really ought to find a decent home for that lot, it’s not as if I’m ever going to build another TT3 layout.

I did actually sell a few surplus N gauge china clay wagons at the Maidenhead and Marlow Model Railway exhibition (And the guy that bought them complained that the wheels were dirty!), and there’s probably some further thinning I can do. It might be a good idea to dispose of anything British I can’t legitimately run on a West of England based layout.

Meanwhile, anyone want to buy a never used copy of 7th Sea? Surely the Tales from Topographic Oceans of RPGs, and one game I’m never going to play or run.

Livejournals

Sunday, January 18th, 2004

Bloggers sometimes look down on livejournals. Still, I’m not quite sure what to make of this.

Review: A Natural Disaster

Sunday, January 18th, 2004

If the ficticious Ümläüt were a real band, they would sound like Anathema.

Anathema started out in the mid-90s as straight Doom-Metal band, sounding like a slowed-down Black Sabbath with tortured, grunting vocals. However, after original vocalist Darren White left and rhythm guitarist Vincent Cavanagh stepped up to the mike, the band began to change. Clean vocals replaced the grunting, and over the next few albums their sound acquired an atmospheric, Floydian edge, although with a strong Goth flavour. Their evolution culminated in the superb albums “Alternative 4″ and “Judgement”, the latter of which completely blew me away when I first heard it. Unlike many bands they’ve never been content to find a successful formula which they repeated album after album, each has been a progression on what’s gone before.

However, with their last album, “A Fine Day to Exit”, I felt they’d taken a wrong turn, and the indie-flavoured album sounded too much like a poor man’s Radiohead (admittedly it was still vastly better than Radiohead’s post-”OK Computer” self-indulgent noodlings). While it did improve on repeated listenings, for me at least, it didn’t reach the peaks of it’s two predecessors. Therefore I approached this new disk with trepidation. Was “A Fine Day” a temporary blip, or did it represent the point when the band “Jumped the Shark”?

The opener, “Harmonium” begins with simple synth chords and a murmured, repeated vocal figure, making me fear the worst. Was this to be their “Kid A”? But no, two and half minutes into the song twin metal guitars come crashing in, the heaviest thing they’ve played for several albums. The metal crunch which was largely missing from the last release is back.

After repeated listens, this album is up there with “Alternative 4″ and “Judgement”, with it’s blend of metal, goth, and progressive rock. It’s not a clone of those albums, though, retaining some of the Radioheadesque bits of “A Fine Day”. A step sideways, perhaps, rather than a step backwards.

Like many great albums, it’s hugely varied, from the heaviness of the opener, “Harmonium”, “Are you there”, with it’s big synth chords and gently chiming guitar, to the very punky “Pulled Under at 2000 metres a second”, with it’s vocal line recalling Pink Floyd’s “Sheep”. My favourite is probably the ballad “Flying” featuring the albums only real guitar solo. Finally there’s the ten-minute instrumental closing track, “Violence”, which begins with a gentle classical style piano figure before giving way to thrashing guitars, playing the same chords as the initial piano figure. After the guitars build to a crescendo and fade out, we’re left gentle and emotional solo piano again.

Anathema are one of those bands that deserve far greater success than they’ve so far achieved. Will this be their breakthrough album?

Game WISH 81: My Favourite System

Sunday, January 18th, 2004

Game WISH 81 asks:

What’s your favorite game system, and why? What things don’t you like about it? How much do you have to “jigger” it from published rules and why?

I don’t have a single game system, but I can narrow things down to two systems, utterly unlike one another in some ways, and very similar in others. As a GM I’m very much a worldbuilder, and want to mix and match elements to create an original game setting rather than ‘playing in someone else’s sandbox’. Therefore I don’t care so much for systems with their own settings, especially those where the game mechanics and the basic cosmology of the setting are intimately intertwined; DnD’s alignment system being a typical example.

And the favourite game systems? First, GURPS. While it’s not quite as universal as the “U” in its name applies, it’s a very flexible system with a tremendous depth of support for a huge variety of genres and settings, as my several shelf feet of GURPS books demonstrate. The only genres it doesn’t comfortably handle are very high powered ones such as four-colour superheroes, a genre I don’t really care for anyway (Am I the only gamer that really doesn’t “get” supers?). GURPS isn’t perfect, while the core game engine is very good, it’s accumulated a lot of cruft from various supplements over the years, and badly needs a fourth edition to clean it up again. The other problem it has is that some people have the idea you have to use every possible optional rule, which to me is less of a problem with the system itself, rather a problem with some of the players. Although the point-based character generation system can be quite complex and intimidating to new players, I find the actual gameplay can be much simpler and faster than games like ADnD, especially if you don’t use the (optional!) advanced combat rules. As for ‘jiggering with the rules’, I find the main thing is deciding which optional rules and subsystems to use, and which ones not to use; for my Kalyr game I’ve also come up with a few setting-specific skills. One change I have made is to use the official optional to make hit points dependant on ST, and fatigue dependant on HT, rather than the other way round.

The other favourite game has to be Fudge. While GURPS is a detailed system with rules for just about everything, Fudge is more freeform. In fact the heart of the system is simply the seven-level scale for skills and attributes (Terrible - Poor - Mediocre - Fair - Good - Great - Superb), and the dice mechanic of 4dF. A dF being a six sided die with two plusses, two minuses and two blank faces. There isn’t even a standard list of attributes or skills, instead GMs are encouraged to define their own lists appropriate to the genre and setting. It makes a wonderful game for rules tinkerers, but it’s also a joy to GM, since most of the time you can just wing it rather than have to look up obscure rules from a 700 page rulebook. In fact, when GM Fudge face-to-face I’ve never, ever, had to refer to the rulebook during play, something I can’t say for GURPS.

Of the online games I play or GM, two are Fudge, one is GURPS, and the fourth is systemless. While I’m prepared to play a great variety of systems, I’m unlikely to GM any system other than those two.

The Bible in Fifty Words

Sunday, January 18th, 2004

The Bible in 50 Words. Exactly what it says: not quite a literal translation (Link from Ken MacLoed)

On Racism and Bigotry

Sunday, January 18th, 2004

I have avoided commenting about the Robert Kilroy-Silk affair, which seems to be dominating the British wing of the Blogosphere.

In my option, far too many rightwing bloggers have been praising the piece of ignorant drivel from Mark Steyn, surely the Robert Fisk of the right, which reads all too much like an attempt to stir up racial hatred within Britain. I point you to the fiskings (or should that be Steynings?) of that article by Harry, and by Bobbie of PolitX.

When Eric Olsen praised the same article, and I claimed in the comments thread that many warbloggers were racist, he exploded. It looks like I hit a raw nerve….

since I have made such efforts to disentangle the threads of religion, politics, culture and, to my bafflement, race, is it possible to criticize Arabs or Muslims on political, cultural or religious grounds without being racist?

By choosing your words very carefully, and making it abundantly clear you’re not demonising all Muslims or all Arabs, and not making blanket generalisations. Just like I have to convince my left-wing brother that not all Americans are a cross between Jerry Falwell and Kenneth Lay.

Note that critics of Israel’s security policies have to take the same amount of care, to avoid accusations of Anti-Semitism.

As for ‘Racist Warblogs’, any blog that repeatedly uses deliberately insulting terms like “Religion of Peace(TM)” or “ROPMA”, and makes it clear they hold all Moslems and all Arabs in complete contempt counts as racist in my book. I suppose you could argue that hating a religion rather than a race isn’t technically racism, but to me that’s just splitting hairs; the rhetoric and the emotions are similar, and the end results are depressingly similar; exhibit A: Northern Ireland. exhibit B, the disintegration of Yugoslavia.

Oh, and Tom Paulin is an idiot. Having seen him appearing in the panel of critics on BBC2s “The Late Show”, this sneering elitist twit is the sort that gives critics a bad name; he’s capable of making Germaine Greer sound sensible by comparison. But his nasty Anti-Semitism doesn’t justify other people’s racist outbursts. Two wrongs don’t make a right.

A few words to explain where I’m coming from, and why I feel as strongly about thus subject as I do. As you know, I come from Britain, where we have about a couple of million Muslims out of a population of sixty million, most of them descendants of immigrants from the Indian subcontinent in the 1970s. I grew up in a town, Slough, where Muslims form perhaps 10% of the population (that’s a guess since I don’t have the actual figures, the actual figure may be higher or lower). In general we haven’t experienced much really large-scale racial tension (especially in Slough), but there have been isolated problems in the past couple of years in a couple of northern towns with very high levels of unemployment; in these towns the white supremacist British National Party have been deliberately stirring things. What I don’t want to see is a rising anti-muslim sentiment among the Anglo-Saxon population, because once the Muslims start to feel under siege it can only increase support for extremists within the Muslim community. I think you would agree that would be a Very Bad Thing.

When I read articles by Mark Steyn and others implying that Britain is somehow halfway to Shaira, it sets alarm bells ringing in my head; it’s the same rubbish I’ve heard from ignorant saloon-bar bigots for years. All that ridiculous scare-mongering of that kind from a mainstream newspaper achieves is to embolden the real hardcore racists. For years, every time there’s been a well-publicised racist outburst by some public figure, there’s been a sharp spike in racially motivated assaults. In these times, such rhetoric could easily get people killed.

Libertarians, Alpha-Males, Trains and Cars

Thursday, January 15th, 2004

Interesting Transport Blog posting from Patrick Crozier:

Taking issue with Andy Duncan is one thing but taking issue with Brian Micklethwait (about a posting on this very blog, no less) is quite another. Brian is an über-libertarian with a fine pedigree from whom I have learnt an enormous amount. So criticising something he has written is not something to be entered in to lightly. But I feel I am going to have to because in his posting on Robert Clayton Dean’s posting on the Detroit Motor Show he (seems to) make the argument that driving a car is a libertarian thing to do.

This is an idea I violently disagree with. It gets right up my nose. It does so because a) I think it is wrong and b) because by implying that taking the train is a socialist thing to do it alienates a whole bunch of people ie people who take the train who I would rather not alienate. It comes close to saying that being a libertarian means you have to be a flash Harry alpha-male don’t-give-a-stuff-about-anyone-else arsehole.

There do seem to plenty of libertarians who do fit that negative stereotype, such as some of these guys, just as there are socialist that are paranoid control-freaks. But not everyone fits into neat stereotypes.

When I first started reading Patrick’s blog, I thought the idea of a libertarian who was in favour of public transport was a strange concept. In fact, it seems we agree on a lot of transport issues even though our politics are totally different, such as the fact that the fragmented structure of Britain’s railways is completely broken, and we won’t see any improvements until ithe industry is completely restructured.

While’s I’m pro-rail, it doesn’t mean I’m completely anti-car, as some flash Harry alpha-male work colleagues seem to think. It’s just that I have no desire to live in a society where it’s impossible for anyone to live without a car, a situation that seems depressingly common on the left-hand side of the Atlantic.

Thank The Valar for Peter Jackson

Tuesday, January 13th, 2004

Before Peter Jackson, there was Ralph Bakshi. Just in case you’d forgotten just how horrible his version of LOTR was.

(Link from Royce Day)

An Early Bath for Junipers

Tuesday, January 13th, 2004

From this BBC report, South West Trains are getting rid the troublesome class 458 trains built by Alstom.

A commuter rail company is to replace 30 of its newest fleet of trains because they keep breaking down.

The Juniper trains, costing £90 million, were introduced four years ago by South West Trains.

In that time they have have suffered from leaky roofs and failing electronics.

The Juniper rolling stock will be replaced with new German-built Desiro trains, when the lease on them runs out next year.

The article also mentions the fact that the most reliable trains of all are the 40-year old slam-door Mark 1 stock, the veteran 4-VEPs and 4-CIGS, which have got to be replaced by next year because they don’t meet modern standards of crash-resistance.

What will happen to the hapless Junipers is anyone’s guess. I suspect the leasing company owning them will be reluctant to consign almost new trains to the scrapheap (although this happened to some equally useless new trains from the London Underground a few year back). My bet is they’ll attempt to rebuild them to eliminate the design faults, and find some other train company prepared to take the lemons.

The tragedy is the Astolm’s Birmingham works used to be the workshops of Metropolitan Cammell, who built reliable workhorses like the venerable class 101s (recently retired after 45 years) and the 156s, as well as generations of London tube trains. Then it all went pear-shaped when the French took them over.

Deltics!

Tuesday, January 13th, 2004

Steve Jones of Electric Nose has excelled himself today. (No permalinks, scroll down to the Tuesday 13th entry)