Monthly Archives: April 2007

New Look

Yes, this blog looks a bit different. After all the troubles I’ve had upgrading to Moveable Type 3.3, I’ve decided to give WordPress a try. It installed straight out of the box at the first attempt, and slurped up the entire 1500+ post MT archive.

At the moment it’s still the default templates and style, apart from the header image, and looks just a little bit bland at the moment. I had a heavily customised template in MT which was accumulating cruft and getting harder to maintain.

Sooner or later I’ll get round to customising this one, once I get my head round the way WordPress templates work.

Yes I do know that all the archive permalinks are currently broken. The new installation has a completely different archive structure. I believe it is possible to fix this, and this is currently on my to-do list.

Posted in Miscellaneous | 3 Comments

Silly Questions of the Day

Why is a railway modelling forum completely full of Marillion fans?

And why is it that I get accused of living in the 1970s (The blue diesel era?), but just about every band I’ve seen this year is about a decade younger than me? One or two band members weren’t even born when I started going to gigs.

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‘Serious’ music

There’s been a lot of discussion about Peter Maxwell Davies’ article about the state of classical music education in Britain. He appears, at least on the surface, to snobbily dismiss most forms of popular music.

Since the possibility of making megabucks out of young people by feeding them the lowest common denominator of “music” has been realised, “music” became an industry, not a profession, where, for the least possible work put in, the maximum profit is extracted for the fat cats, with “music” becoming ever more zombie-like, and the bands ruthlessly exploited.

I do think he raises some valid points, even if he lets his snobbery get the better of him at times. But he does appear to be ignorant of any forms of rock music outside the ‘mainstream’ of Radio 1 and the NME.

One of the most insightful responses comes from commenter RobertPaul

This high/low debate also leads many to consider the electric guitar not a real instrument for expression whereas the same notes played on a violin or cello are magically alchemised into gold.

Anyone that thinks that cannot have witnessed the incredibly beautiful improvisation on “Amazing Grace” from John Petrucci of Dream Theater at Shepherd’s Bush empire in 1999.

He then goes on to highlight exacly what’s wrong with the rock and pop scene in Britain.

Unfortunately the culture of rock/pop criticism leaves no space for the understanding of compositional technique, and therefore the public remains unalerted to their presence. The critics remain far more comfortable discussing lyrics and image in rock and pop oblivious to any serious musical content. This remains invisible.

That for me hits the nail on the head. Yes, popular music has been commodified by the big record companies. But the other big villain is the music press, dominated by the dreaded New Musical Express, which emphasises image and lyrics to such an extent that the acts which get attention are those that put all their efforts into those things at the expense of musical content. So we get lavish praise for poseurs like Franz Ferdinand, whose rudimentary and derivative music will probably be forgotten in five years time, while anything with any more musical depth is marginalised. Witness some of the idiot boiler-plate sneers in the comment threads of this Prog Rock post.

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Gypsycon 2007

Easter weekend is time for Gypsycon, the annual gathering of the UK side of the Dreamlyrics community.

This year’s Gypsycon ran for just two days rather than the entire Easter weekend of previous years. We had an attendance of about twenty people, including three members of the Hat clan who I hadn’t seen for several years.

On Friday I ran the first face-to-faceplaytest for the Kalyr RPG, based on Fudge. Players were Pete Hat, AJ, Bruce Brown and Gary.

Since I really wanted to playtest the psionics system, I chose to run a scenario involved the players travelling into the totalitarian Konaic Empire to extract a human slave who’d developed psionic powers, and would be killed had he not been rescued.

For those not familiar with the Kalyr RPG, I’ve got the following deviations from baseline Fudge

  • Keys instead of Faults – Unlike Faults, they give no bonuses at character creation time, but give Fudge points when they come up in the game.
  • Abilities instead of Attributes and Skills
  • Connections rated using the standard Fudge trait scale, representing the character’s social standing
  • A complete psionics system, which needed testing for balance

I had four player characters, one specialised psionic, one optimised combat monster (the only non-psi in the game), and two characters with a mix of psi and mundane skills. The first two seemed to be the most effective characters, which seemed to confirm that specialists tend to trump generalists in most RPGs.

Keys seemed to work well, although I think five rather than the three I gave the pregen characters would be a better number. They did seem to encourage roleplaying. We used glass beads as Fudge tokens, which encouraged players to spend them, so the players had to hit their keys in order to refresh their pool of Fudge points.

The ending of the adventure was a little bit of an anticlimax, probably because I let the main villain go down too quickly. I should have remembered that named villains get Fudge points, which was my major faux pas as a GM.

Saturday was L’Ange’s Mage:Sorceror’s Crusade epic, set in his incredibly detailed Northumberland setting, following on from the cliffhanger ending from two years ago. This one was really a Mage/Wraith/Changeling crossover, since it only featured one actual Mage as a PC, in a party with a Fae princess and the ghost of a knight. Somebody pointed out that we had something looking like a DnD party with a fighter, a magic-user and a cleric, except we didn’t have a thief. My character was the priest with True Faith, which turned out to be a pretty potent power, when the opposition included undead and demons.

Roll on Gypsycon 2008!

Posted in Games | 3 Comments

She’s very plain, that girl singer

I’ve got a ticket to see Rush, who I missed the last time round. Tickets only went on sale yesterday, and were almost sold out by the afternoon. Don’t know if they’ve pencilled in a second date, but I wasn’t prepared to take the risk that they wouldn’t. A seat up in the gods is still better than missing out altogether.

The subject line comes from a comment from my late grandmother, said when she saw a few seconds of Geddy Lee singing ‘Temples of Syrinx’ on video in the mid 1980s. Surely nobody with hair that long and a voice that high could possibly be a bloke…

I have to say that none of the girl singers I’ve seen this year could be described as ‘plain’.

Posted in Music | 2 Comments