asides Blog

One line thoughts of the day.

It seems as though “Gamers are over” is the new “Rock is dead”. We’ve been hearing that rock is dead from people that have never liked rock in the first place, but rock has always refused to go away.

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So Beady Eye have split after failing to set the world on fire. If they had hoped to be Whitesnake to Oasis’ Deep Purple, they ended up being Paice, Ashton & Lord.

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Was Michael Moorcock’s Law and Chaos based on any real-world religious or philosophical system, or did he create it from the whole cloth? It’s remarkable how manycultural conflicts that cut across traditional political and religious lines make more sense when framed as Law vs. Chaos, or between conflicting strains of Law.

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If Q Magazine can name Kasabian as the best band in the world and the best live act, we have reached Peak Q. Anyone who still takes that magazine seriously needs to get out more.

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Unlike one nototious band forum I don’t delete comments unless they’re offensive, threatening or libellous. But do be aware that bands do sometimes read this blog.

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Despite not having his collar felt by Operation Yewtree, 70s Radio One DJ Mike Read seems determined to make a criminal record. You can split hairs over whether or not his awful cod-Jamaican accent is racist (I think it is), but the record itself is unspeakably horrible. It carefully combines the worst lyrical aspects of Pendragon’s “Green and Pleasant Land” with the musical grace of Joe Dolce’s “Shaddup You Face”. Ugh.

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Hey Twitter. Instead of shoving random celebrity nonsense we didn’t ask to see into our feeds, how about building a reputation system instead? We could use that to filter out junk from drive-by trolls from our notifications and searches, which are the only parts of Twitter we’re not able to actively curate ourselves.

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Today’s unsurprising discovery: finding new music through recommendations from trusted friends is a far more reliable method of filtering out the forgettable mediocrity than promos from record companies chosen on the basis of their overheated PR blurb.

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Gamergate’s complaints about agenda-driven reviews make me wonder how on earth gamers would have reacted had the video game press been anything like as bad as the “mainstream” British music press has been for decades. Have there been reviews remotely equivalent to Dave McCulloch’s dismissive one-star review of Pink Floyd’s “The Wall” in Sounds? Are there any gaming journalists as appallingly bad as Julie Burchill?

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If you’ve been experiencing problems accessing the site over the last day or two, the hosting company has been hit by a DDOS attack, and had to implement measures that occasionally interfere with legitimate traffic.

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