Overpriced boxed sets from legacy acts who don’t need the money harm grassroots music far, far more that YouTube or Spotify could ever do. Just think how many smaller prog bands could have sustainable careers from the money spent on the latest £378 Pink Floyd one.
With the Pledge Music campaign now at 98% of the target, Panic Room have confirmed that the recording of the live DVD is now definitely going to happen, and the band have booked Islington Assembly Hall for a gig on Sunday 16th October. They’ve also extended the Pledge Music campaign for another month to get that final 2%.
The band will be making two other live appearances this year. The first will be at Off The Tracks festival on Saturday 3rd September on a bill headlined by Ozric Tentacles, the second will be a Christmas gig at Bilston Robin 2 on Friday 2nd December.
Former bassist Joe Bouchard posted the sad news on Twitter this afterron: “Sandy Pearlman manager and visionary for Blue Öyster Cult and others passed away last night. Very sad”.
Sandy Pearlman was the producter and main lyricist in their early years, making him the effective sixth member of the band. With enigmatic lines like “By silverfish imperetrix, whose incorrupted eye/Sees through the charms of doctors and their wives” or “Don’t forget my dog, fixed and consequent“, the high weirdness of his lyrics came to define their identity.
Today comes the news that Yes’ Alan White is being replaced for the next run of shows with a relative unknown, due to White needing urgent surgery to deal with a back injury. Though the plan is for White to return to the band once he’s fully fit, it does leave guitarist Steve Howe as the only remaining member of the classic 70s band.
I know the music is greater than the musicians, and they’re already without any remaining founder members since the tragic death of Chris Squire. But isn’t it getting a little bit silly now?
Heather Findlay has announced some new live dates, a warm-up show for the Cambridge Rock Festival, at The Post Office Social Club on Monday 25th July, and four dates in The Netherlands in November.
There are also some changes to the lineup; the band says goodbye for the time being at least to Alex Cromarty and Chris Johnsom, who had been part of her band from the very beginning, and to John Mitchell.
Joining the band in their places for this run of gigs will be former Cloud Atlas guitarist Martin Ledger and Touchstone drummer Henry Rogers, alongside Stu Fletcher, Angela Gordon and Sarah Dean.
Why do some many people put so much energy into hating things that simply aren’t for them rather then in celebrating the things they love?
Do they believe everything is a zero-sum game?
You see this in metal fandom every time Babymetal get mentioned. They’ve not to everyone’s taste, true, but the whole concept can be enjoyed as something entertainingly silly. But some metal fans seem offended by their very existence. You’d have thought the metal world was big and diverse enough to have room for Babymetals as well as Dimmu Borgirs and Napalm Deaths and Nightwishes and Opeths. But no, it seems one person’s entertainingly silly fun represents an existential threat to everything they hold dear. Why? It’s not as if they’re receiving massive and undeserved media hype that might otherwise have gone to Pig Destroyer.
There are parallels with the culture wars over the new Ghostbusters remake. But do we really want to go there?
The first section of the 17-minute epic “The New Kings” from the forthcoming album “F*** Everyone And Run”.
It’s only a short taster, but it’s sounding like powerful stuff. With the events over the past few weeks and revelations of what happened in the recent past, this album is sounding disturbingly prescient.