Music Opinion Blog

Opinions and occasional rants about the state of the music scene.

While it’s not surprising that news reports about Trevor Bolder’s death emphasise his role in David Bowie’s Spiders from Mars in the early 70s, it’s a shame there’s not more mention of Uriah Heep, for whom he was a member for more than 30 years, representing the bulk of his musical career.

Posted on by Tim Hall | Leave a comment

The way hipsters are trying to resurrect cassettes as a format speaks volumes about the herd mentality of hipsters, and their obsession with style over content. The cassette tape is a completely obsolete format for a reason. Vinyl has its merits for high-end audiophiles, but the cassette is simply inferior to the technologies that superseded it in every possible way.

Posted on by Tim Hall | 5 Comments

The Guardian tries to review Steve Hackett – and fails

The Guardian has published an appallingly bad review by Ian Gittins of the same Steve Hackett gig that I reviewed for Trebuchet. While it’s often the case that’s it’s best to ignore bad reviews, but this one is so egariously bad it really needs calling out.

Aside from some serious factual innacuracies that betray a lack of basic research, he describes the hugely influential guitarist as “the anonymous Hackett, the quintessential low-profile sideman“, then comes up with bollocks like “but your spirits sink when he is joined by 80s electropop also-ran Nik Kershaw and Marillion guitarist Steve Rothery“, and ends with  “but what a dispiritingly redundant evening this is“. It really is one of those awful 1980s NME style reviews that tells you far more about the prejudices of the reviewer than it does about the show itself.

I can’t think of any other genre of music where reviews of this nature have sadly come to be expected. The reason I’m going to the effort of calling it out is because The Guardian has been getting better. Recognising that they lacked knowledge of prog and metal they signed up Dom Lawson, who’s given favourable reviews to the likes of Opeth’s “Heritage” and Steve Wilson’s latest opus. Then they risk all this new-found goodwill by sending the same reviewer who wrote this pile of utter cobblers about Caravan. Somebody who can’t review a prog gig without constantly referencing punk needs to stop trying to review prog.

A better writer like Alexis Petridis would at least have attempted to engage and try to understand what Steve Hackett was trying to achieve, even if the music was outside his personal comfort zone. But Gittins’ review just reinforces the widely-held perception that The Guardian is where superannuated NME hacks go to die. They can and should do better than this.

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The idea that Britain will never win the Eurovision Song Contest because of politics and regional block voting remains an untested hypothesis as long as the out-of-touch dullards of BBC Light Entertainment continue to choose half-arsed entries that anyone who cares about music is deeply embarrassed by. I’ve said it before but I’ll say it again. The British entry needs to be Mötorhead.

Posted on by Tim Hall | 4 Comments

Seriously, a Wagner opera in Third Reich dress? This has got to be one of the worst “What were they thinking” episodes in the entire history of music.

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From the music blogosphere – Sid Smith laments the days when non-mainstream musicians could make music as a full-time career. And Matt Stevens confronts a heckler shouting “It’s going round and round, it’s a fake, I’m not stupid”.

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Ending up with tweenaged children obsessed with JLS, Justin Beiber and One Direction is surely the price parents pay for neglecting their childrens’ musical education.

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Can’t help but laugh at this Gary Bainbridge review of boy-band JLS. But on the other hand, while we all love a snarky review of something we hate, those of us who are prog fans are all too used to seeing similar reviews of music we love.

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Synchronicity in the news. Tory minister Maria Miller says “British culture must become a commodity“, a statement that speaks volumes for their values. Then the news that the manufactured talent-show boy-band JLS are to split up, but not until after they’ve raked in the money from a farewell tour and album.

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Latest news from Heather Findlay

Odin Dragonfly at Bilston Robin 2

In a new blog post, Heather Findlay has announced that her headline show in Zoetermeer on April 13th will be filmed for release as a DVD.

This is very welcome news. As I’ve said before, Heather has yet to release anything on record that sounds quite like she does live with a full electric band; not only do the live dynamics bring the songs from The Phoenix Suite to life, but radical new arrangements transform some of her older material into something quite different from the originals. Particular highlights on the last tour were a near-metal take on Odin Dragonfly’s “Magpie”, an interesting electrified and percussion-heavy version of “Bitterness Burnt”, and “Flowers For Guns” turned into a fantastic Nile Rogers style funk number. I really hope all three end up on the DVD.

She’s also announced a temporary lineup change in her band for the short Dutch tour. With Chris Johnson temporarily unavailable the second guitarist for these three dates will be Sam Forrest. He’s not a permanent replacement, and Chris Johnson remains a part of The Heather Findlay Band.

As for the new album, currently in the writing stage, at the moment I think it’s best to keep an open mind. In the past she has send out a lot of mixed messages over the sort of music she wants to make, and the sort of audience she wants to play to. It’s a crucially important record for her, and of course it’s entirely up to her what musical direction she goes in.

The one new song “Shine” played on her tour at the end of last year was a great groove-led Led Zeppelin style rock number, and I’m hoping for more in that vein. Between her electrifying live shows and her acoustic album “Songs From The Old Kitchen” Heather gave the impression of having one foot in the classy hard rock camp, and one foot in the folk/roots/Americana camp, and that points at a sort of direction I hope the new album might take. She certainly does both of those too well to focus exclusively on one at the expense of the other. But we will just have to wait and see; she may decide to do something altogether different and unexpected.

We won’t be seeing a full UK tour for another year, which I know has disappointed some people. But, perhaps in response to the feeling that a full year without without a single UK appearance was far too long, there will now be a one-off event later this year to play the new album. If Heather or any of her team are reading this, please do hold this in a suitable sized venue such that everyone who wants to come is able to do so; don’t make it another of those artificially limited exclusives where only those who happen to be online at exactly the right moment have any chance.

Edit: An earlier version of this post did not make it clear that Chris Johnson is still part of Heather’s band and is only missing the three Dutch gigs. I have corrected this.

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