It has not been a good day for Dream Theater t-shirts. First there is this story of dodgy vet struck off for knowing animals in the (ahem) Biblical sense, with the BBC News story showing the guy wearing a Dream Theater shirt. (And if you click on that link, don’t say I ddn’t warn you).
Then there is this ridiculous story about Mike Portnoy.
You know how it’s a faux pas to wear a band’s shirt to see them live? It seems like it’s an even bigger faux pas to wear a Dream Theater shirt that was printed in the last four years to a Mike Portnoy signing.
Portnoy is of course the former drummer for DT, and left with a bit of drama behind it. So, when a fan showed up to a signing this weekend wearing a Dream Theater shirt with the artwork for Dramatic Turn Of Events on it, Portnoy was none too pleased.
Rather than letting it go, he decided to hop onto social media and rant…
Now, knowing a few members or former members of bands that went through acrimonous splits or worse, and I own quite a few t-shirts that I would never wear to some other band’s gigs, especially if I’m going to be anywhere near the front.
But I’d still expect musicians to behave professionally should they meet any fan wearing the “wrong” shirt at a gig.
So a bunch of gamers are celebrating the release of the 5th Edition of Dungeons & Dragons by burning their 4th Edition books. It seems the D&D Edition Warriors now make Yes lineup purists look like rank amateurs. Accusing me of being the president of their record company for writing a three-star review of their new album just can’t compete.
Great nail-on-head post by Scott Rowley of Classic Rock. (Registration required)
Because your life didn’t stop in 1993 when you got a job or got married and stopped going to gigs. And your taste in music doesn’t have to be frozen there either. There’s plenty of great music – but if you’re looking at the charts, you’re looking in the wrong place. The good stuff is hard to find. It’s not going to ‘break through’, take over the mainstream or spearhead a new movement. It’s probably not the music your kids listen to.
People forget that back in the 1970s, the supposed heyday of classic rock, you’d never hear Led Zeppelin or Pink Floyd on daytime radio or on television; it was all Boney M, Gary Glitter or worse. The best stuff was only ever broadcast late at night, or spread by word or mouth.
Today there is more great music out there than it’s possible to keep up with. Regular readers of this blog will know I champion the likes of Mostly Autumn, Panic Room, Chantel McGregor, Touchstone, Also Eden, Cloud Atlas, Morpheus Rising and many more. The media-driven “mainstream” pays them no attention. Most of your neighbours and work colleagues have no idea their music exists. If you’re not a regular reader and have stumbled across this post at random there’s a good chance you won’t have heard of them either, in which case you ought to give them a listen.
Of course, there is probably an awful lot of great music that I have yet to hear.
I’m not going to name the band in this post. I know it’s not going to be hard for regular readers of this blog to identify the gig, but I don’t think it’s fair on the band themselves to have such a negative post showing up in Google searches for their name.
I’d love to have been able to write a glowing review about their actual performance, since the band themselves were excellent, but unfortunately what should have been a wonderful night was ruined by the behaviour of a segment of the audience. I’ve had gigs spoiled by intermittent distracting talking before, but this was the worst instance I can ever remember. This wasn’t just a buzz of chatter coming from the back of the hall, but selfish idiots talking continually at the top of their voices clearly audible from the front row even during the loudest parts of the set. There was even one group of knobheads who ignored repeated requests to keep the noise down.
I very nearly walked out the gig after two or three songs in disgust.
I have never seen a worse case of disrespect for both the band and that part of the audience who was actually there for the music. It’s as if the band were nothing more than the soundtrack for a lads’ night out. Audiences for free-entry gigs by pub cover bands behave better than this.
I know from speaking to the band afterwards that it distracted them too, and it’s difficult to imagine that the behaviour of these clowns in the audience didn’t take the edge off the band’s performance. The dynamics of live music means the best gigs are those where the band feed off the energy the energy they’re getting from the crowd. This was not happening here.
How to improve the British music scene, part 117. Feed Jools Holland and everyone responsible for booking bands on “Later” to the Ravenous Bugblatter Beast of Traal.
Another camera in my face
Another hand around my waist
Don’t even know you
– Panic Room, “Freedon to Breathe”
A very insightful post by HippyDave on when fan entitlement goes bad, specifically the backlash faced by Floor Jansen from South American fans when she dared to make some polite requests about boundaries. Some of the quoted fan posts are quite scary, and it’s notable that half of them are from women.
I’m wondering how much this is a South American thing, stemming from differing cultural expectations, and reminded of the recent story about Avril Lavigne stipulating a three-foot separation between her and fans for photos at a meet-and-greet she was charging hundreds of pounds for, because she’d been groped by a fan on a previous South American tour.
That might even explain where the ridiculous-seeming accusations of racism are coming from, but that might just be an excuse for bad behaviour that’s not confined to one part of the world.
As a gig photographer who’s photographed Floor Jansen from the pit, I completely agree about flash photography. It’s bloody annoying, and if you have a half-decent camera you don’t need it anyway.
The Guardian asked which second albums are better than debuts?
Everyone knows about the sophomore slump, but some artists have managed against all the odds to produce a second album that improves on their debut. What are your suggestions?
The phrase “Sophomore album” needs to be terminated with extreme prejudice. It suggests either a frame of reference defined around American student-indie, or an ignorant writer who doesn’t know what it means. Kill it with fire!
But the whole thing strikes me as a silly question, which speaks volumes about the music press and the sorts of acts they favour. The vast majority of bands who go on to have lengthy careers make second albums that are better than the first. They usually go on to make third and fourth albums that a better still. Quite often the first album wasn’t a hit, and the breakthrough came later.
The idea that bands decline after their debut reflects the sorts of bands who get all the media hype; often one-trick-ponies with a single unique selling point, who lack the depth of talent to become more than a so-called “firework act”. One big flash and it’s over.
It would be far more interesting to have asked “Which second albums were the best in in the artist’s career?”
What albums would you suggest?
If Coldplay are “Alternative rock”, then words have ceased to have any meaning whatsoever. What, exactly, are they the alternative to?