The Guardian have just published a piece I’ve written in their “Ten of the Best” series, about Black Sabbath.
The task of choosing ten songs to tell the story of the most influential metal band on the planet wasn’t an easy one. Listening to all their albums, especially the early ones, showed Black Sabbath’s remarkable consistency. For every song I eventually chose there were two or three others that would have been equally valid. At one point my draft list said “Something from Master of Reality”, and I could easily have chosen almost anything from that album. That my final list didn’t have space for “NIB”, “Paranoid”,”Iron Man”, “Children of the Grave”, “Spiral Architect”, “Neon Knights” or indeed anything at all from “Volume 4″ says it all.
One dilemma was whether to base the list around the obvious standards that everyone knows, or highlight some of the lesser-known gems. In the end, I went for a bit of both, including defining classics like “Black Sabbath”, “War Pigs”, “Sabbath Bloody Sabbath” and “Heaven and Hell” while leaving room for atypical songs such as “Air Dance” or a representative of the often-overlooked Tony Martin era.
Speaking of the Tony Martin era, one of the constraints I had to work to was that all the chosen songs had to be available on Spotify, and unfortunately neither “Headless Cross” nor “Tyr” were there; the only album available was “Eternal Idol”. Hence the last-minute substitution of “Glory Ride” in place of Tyr’s “Anno Mundi”. Which makes the comment that it was a great list except then “Anno Mundi” should have been there instead of Glory Ride spot-on. Little did he know.
Some of the other comments are amusing; there are clearly a few people who don’t like anything beyond the first four albums and lost it with “Sabbath Bloody Sabbath”. As as for “Too much Dio”, there is no such thing as too much Dio. But that’s Guardian commenters for you…