No, I haven’t had the chance to see the BBC’s Genesis documentary for myself yet, I was out at a gig when it was screened. Judging from the comments on social media including a lot of retweets from Steve Hackett himself, it seriously downplayed his contribution to the band’s music, and completely ignored his prolific solo career. While he wasn’t airbrushed out of history altogether like the unfortunate Ray Wilson, he surely deserves better.
There are a lot of parallels with AC/DC’s Malcolm Young here. Only the most ignorant dismiss Malcolm Young as an anonymous and easily-replaceable sidesman; anyone who understands their music knows his playing was the heart of their sound. It’s the same with Steve Hackett for 70s Genesis.
If you want proof, listen to “Wind and Wuthering”, Genesis’ last Studio album before Hackett left the band in 1977. Then listen to “Burning Rope”, the best song from the Hackett-less “And Then There Were Three”, and imagine how it might have sounded had Hackett played on it. Mike Rutherford’s workmanlike playing is a pale imitation.
Though not known for his stage presence, Hackett is a hugely talented musician, who managed to invent a completely new language for rock guitar. He took the electric guitar way past its blues roots, and in his way he was as groundbreaking as Jimi Hendrix a few years earlier. And he was also a maestro on classical guitar.
Hackett has been the “keeper of the flame” for the music Genesis made in the 1970s, music which Banks, Rutherford and Collins have sometimes seemed embarassed by. While it was fashionable for many years to claim the 80s stadium-pop Genesis to be the real deal, much of their later output has dated badly, and it’s the music they made while Steve Hackett was in the band which has stood the test of time.