Most regular readers of this blog will probably have guessed by now that this would be the album of the year. In a year with so many great records one has to try to be objective and put personal favouritism aside. But in the end, there can only be one album of the year, and this record does deserve it. What exactly is it about York that spawns so many great bands?
Mostly Autumn – Dressed in Voices
The last few Mostly Autumn albums have had their moments, and have been enjoyable works, but all of them fell frustratingly short of the records the band seemed capable of making. With “Dressed in Voices” the band have finally created the career-defining masterpiece they’ve always had in them. Lyrically it’s a dark concept album about life, death and the consequences of violence, and musically it’s a distillation of the best elements of their past three or four albums, with the band’s three songwriters all on the same page.
There’s a similar heavy progressive vibe to 2005′s “Storms Over Still Waters”, with the occasional nod to the celtic-folk of their early days. It’s got that big, rich, and many-layered sound that needs a seven-piece band to reproduce live. There are emotive performances from Olivia Sparnenn, who’s grown tremendously as a vocalist over the past few years, plenty of classic Bryan Josh lead guitar, Iain Jennings’ all-enveloping keys providing the perfect instrumental foil, and some appearances of Anne-Marie Helder’s flute. This is the best record they’ve made for many years, and may even be the best of their career.