Under my own self-imposed rules, only full-length albums made up wholly or largely of new material quality for the album rundown. But amongst the live albums, EPs and records comprising largely of reworkings of older material can be found some gems that deserve better than being overlooked. It’s not in any way a definitive list, since there’s a whole slew of live albums released in the run-up to Christmas that I have yet to hear.
The Heather Findlay Band – I Am Snow
The former Mostly Autumn lead singer’s second album of 2016 celebrates the semi-acoustic folk-rock side of her music, combining new songs with reworkings of older numbers, with arrangements emphasising flute and harp. There’s a beautiful cover of Sandy Denny’s “Winter Winds”, and the two new songs, especially the seasonal title track, are gorgeous.
King Crimson – Live in Toronto
A live snapshot of the latest incarnation of the legendary progressive rock band from their 2015 tour with a setlist combining brand new material alongside classics from the 60s, 70s and beyond. The seven-piece band including Tony Levin, saxophonist Mel Collins and no fewer than three drummers creatively re-imagine the older material while remaining faithful to the spirit, and the largely instrumental new numbers are impressive too. A great document from a tour that was memorable for all the right reasons.
Riverside – Eye of the Soundscape
Poland’s finest band released this ambient and largely electronic album to commemorate guitarist Piotr Grudziński, who died suddenly and unexpectedly early in the year. It’s a compilation of remixes and previously-released bonus material complemented by four completely new tracks, At times the shimmering electronic arpeggios and electronic pulsings are to Tangerine Dream what Riverside’s more guitar-based music was to Porcupine Tree, but as always they’ve far more than copyists.
Touchstone – Lights in the Sky
This four track EP is first release by the new-look Touchstone with Aggie on vocals and Liam Holmes on keys. It’s a move away from the pared-back approach of “Oceans of Time”, with big guitars and soaring vocal lines, but the sound is still clearly identifiable as Touchstone, and they’re sounding like a coherent band in what is clearly a new beginning for the band.