Fish – Feast of Consequences

It’s been a long time since Fish’s last studio album. The gap since 2007′s “13th Star” approached Kate Bush or Peter Gabriel proportions, and there even were times when it seemed that the possibility of future albums hung in the balance, with vocal problems that at one point appeared to come close to terminating his career. But after spending eighteen months on the road playing as as part of an acoustic trio, he reformed an electric band for some gigs with Glenn Hughes last year, and made it clear he was still a force to be reckoned with.

The new album has been a long time in the making; he d├ębuted early versions of a couple of songs at his fan convention last year before playing much of the album live on a two-week British tour this May. The band is the same as for that tour; Steve Vantsis on bass, Foss Patterson on keys, Robin Boult on guitar, and Gavin Griffiths on drums, all Fish collaborators of long standing, with guest appearances from Liz Antwi on backing vocals, violin by Aidan O’Rourke and even some string and brass sections. With Vantsis, Patterson and Boult all contributing to the writing the album is more varied than some other recent albums, and the way much of the material had been played live before they went into the studio to record it gives it a strong organic feel.

Sampled pipes herald the ten-minute opener “Perfumed River”. It starts with a brooding atmospheric opening combining electronica and spidery acoustic guitar to accompany Fish’s half-sung, half-spoken vocal, before exploding into the full-blown rock in the second half of the song. It’s an epic combining many of the best aspects of Fish’s recent music in one song, and makes a perfect opening to the album.

The next two numbers are more straightforward. “All Loved Up” is a hard rocker reminiscent of The Rolling Stones, with lyrics taking aim at the vacuity of the X-Factor celebrity culture. In contrast “Blind to the Beautiful” is a stripped-down acoustic number in the style of the unplugged trio tour from a couple of years, enhanced by some superb violin from Aidan O’Rourke.

It’s an old joke that if you play a Country and Western record backwards, you get your woman, your dog and your truck back. Not that he’s in any way a Country artist, but it wouldn’t be Fish album without at least one bitter song about a break-up, and the angrily rocking title track is one of several such numbers on the album.

But the heart of the album is the five part “High Wood Suite”, the first extended concept piece since “Plague of Ghosts” back in the 90s. It’s inspired by the World War One battle in which both his grandfathers fought. It starts with a picture of the battlefield in the present-day, with the sounds of birds and agricultural machinery, before taking us back to terrible human stories of the men who fought and died almost a century ago. The twists and turns of the music through Celtic atmospherics and angry jagged riffs reflect the initial enthusiasm of the recruits dashed against the horrors of war and the ultimate futility of it all. Both musically and lyrically it’s one of the most powerfully moving things Fish has ever done.

After the intensity of the “High Wood”, the final two songs are something of a coda, returning to the more personal heart-on-sleeve territory of the title track. The reflective ballad “The Other Half of Me” wouldn’t have sounded out of place on “13th Star”, and the closing “The Great Unravelling” makes a fitting end, with some fantastic call-and-response vocals from Liz Antwi.

As with 13th Star, the album is produced by Calum Malcolm, and his production captures the sort of intensity and energy levels more often associated with the best live albums. Robin Boult in particular plays some great raw-sounding guitar; not that much in the way of showboating solos but some powerful riffs and rhythm parts, especially on heavier parts of the High Wood suite. Guests Liz Antwi and Andy O’Rourke both leave strong marks.

Despite his much publicised vocal problems of the recent past, Fish is on fine form vocally throughout, as ought to have been obvious to anyone who’s seen him live recently. It’s true that he doesn’t have power or the upper register from his early days, but with songs arranged to fit his current range he’s still a very evocative singer. Lyrically he’s long moved on from the overcooked style of early Marillion albums, with a more direct but poetic style that deserves recognition in the wider rock world as one of British music’s finest lyricists.

It all amounts to an album that’s well worth the six year wait. Fish’s extensive post-Marillion career has seen some ups and downs, with strong albums interspersed with patchier and sometimes flawed works. “Feast of Consequences” is one of his best works for many years. In some ways it comes over as a combination of the strongest elements of his last few albums without any of those album’s weaknesses.

The album is not distributed through normal retail channels, but is only available directly, either through Fish’s website, or at his gigs.

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14 Responses to Fish – Feast of Consequences

  1. Rens says:

    it’s a great album, worth listening again and again

  2. David Finnie says:

    100% great album. One of the best from Uncle Fish!

  3. Mark says:

    Spot on Tim – it’s his best album EVER (IMHO) …it’s been spinning for days now

  4. Larry Barton says:

    Excellent review and I agree wholeheartedly that this is one of his finest recordings.

  5. Paul says:

    I have listened to this album and then listened again and it gets better each time you hear it. The music has depth and the lyrics have soul.

  6. Rob says:

    I had prepared myself to like this album, but was hesitant to put too much faith in Fish’s vocals, which we all know are not at their peak levels of the glory years. I need not have worried. Fish has assembled a great song writing team and they have created a complete album of fantastic material that is very careful to place the big man’s voice in ranges he can still power out when needed, and softly sing very musically when needed. He’s come close to his Sunsets On Empire release in terms of excellent material matched very well indeed to his vocals and poetry. It might even be better than that late 90′s work. Well done gentlemen – this is one that will grace my stereo for years to come. An absolute must have for Fish and Marillion fans, and I truly believe this release might help to introduce Fish to audiences who’ve never had the good fortune to have discovered him before. Wondrous melodies, straight ahead rockers, and other very approachable tracks for the masses, mixed together with complexities and enough progginess to satisfy a large audience! Each listen has me liking it more and more. Thanks Fish!

  7. Ray Potter says:

    Always Great! Always will be!

  8. Matthew says:

    Very good. I heard elements of Jethro Tull in there….and a bit of GAZA, from Marillion’s latest CD (the heavier riffs). Fish is such an awesome guy. Just keeps on doing his thing….

  9. MarkW says:

    A Feast Of Consequences is Fish’s best album. And that means it is really good.

    All his earlier 9 solo albums have very strong songs, Fish is at his best if he throws in his emotions and feelings, if he sings on topics he really cares about, and when he ties multiple songs together to a concept. Like “vigil”, “shadowplay”, “mr1470″, “long cold day”, “plague of ghosts”. The songs on Feast link back to the best of Fish style and penmanship and his team of musicians (Elisabeth Antwi for instance), but matured and beautifully delivered. In the notes Fish says it already; The songs are not too personal for him and thus all the more personal for us. The title song alone, arguably one of his best songs ever, is enough reason to get the album.

    You are running out of time, you are running out of music, you are running out of reasons not to buy this album.

  10. simon smith says:

    An excellent review and accurate in my opinion.I thought 13th star was a cracking album,and would be difficult to better,but Fish has certainly done so with some classic tracks and superb musicianship.One listen and I was hooked.Will be brilliant live.

  11. Chris says:

    My great grandfather served in the 48th highlanders in WWI so high wood was especially interesting to me. I found this album to rival misplaced childhood both lyrically and musically. I hope this is just the beginning of another journey with the big man. Well done!

  12. I already said it was a great album. But after hearing it around the 5th time, (now around 30), I agree, I think it is his best to date! The High Wood, and it’s 5 parts are sheer genius! And what a powerful statement about “possibly the worst war of all !”
    I just love cd’s that get better every time you play them! Fish, (D.D) You are the man!
    Fan For life,
    Ray PotterAdams

  13. paul says:

    Gd gd gd glad the big man is back me theresa and ma pal gypsy used to go see him aw ra time go fish go