Opeth’s eleventh studio album, “Pale Communion” has been one of the most anticipated releases of the year. Their last album, 2011′s “Heritage” ended up strongly dividing opinion. For every fan who applauded their exploration of new sonic territories there seemed to be another who bemoaned their move away from the metal roots.
If there is still anyone hoping for a return to the growly death metal of Deliverance, they are probably going to disappointed. For Pale Communion is a development and refinement of the direction expressed on Heritage. Only it is a far stronger album.
Like Heritage, it’s a swirling maelstrom of classic 70s sounds given a modern sensibility, Åkerfeldt’s evocative lead guitar style shares space with Mellotron and Hammond organ; there are bits of hard rock, jazz, pastoral folk-prog and what sounds like horror-movie soundtrack, sometimes in the same song. There is even one brief moment that evokes a darker and more sinister version of The Eagles.
But ultimately it still sounds quintessentially Opeth; Åkerfeldt’s very distinctive approach to melody and harmony shines through even though the instrumentation has a different emphasis compared to their metal past; more keys and layered vocals and less emphasis on guitar. There is a heaviness there, but it’s not so much the heaviness of walls of guitars as it is a kind of dark intensity. And it’s balanced by moments of delicate beauty; Åkerfeldt is still an absolute master of dynamics.
Pale Communion is best described as combination of the best elements of Heritage and their previous non-metal Damnation with a bit of Storm Corrosion thrown in for good measure. There is certainly something of the same feel as Steve Wilson’s recent solo work; since Steve Wilson’s and Mikael Åkerfeldt’s careers have been joined at the hip for well over a decade this shouldn’t really be any surprise. If Heritage was something of an experimental album, then Pale Communion is the results of those experiments. In some ways it is to Heritage what Pink Floyd’s “Meddle” was to the earlier “Atom Heart Mother”.
This is not only one of the best albums of 2014, but is every bit as good as anything Opeth have released in their career.