The Pineapple Thief are one of those bands within the progressive rock scene who take a modern streamlined approach to their music, focusing on textures, atmospherics and strong melodies rather than complex instrumentation. Their last few albums have taken a zigzagging musical course, with the moments of dance/electronica on “Someone Here Is Missing” and the harder-edged guitar-driven sound of “All The Wars”.
“Magnolia” takes a slightly less experimental approach. Perhaps more consolidating than groundbreaking, it comes across as an amalgam of the best elements of their past few records. It’s very song-focussed, all shorter songs, mostly three or four minutes. The emphasis is on Bruce Soord’s vocals, with soaring minor-key melodies strongly recalling one of their best albums, 2008′s “Tightly Unwound”. Steve Kitch’s keys add tremendously to the atmospherics, including plenty of all-enveloping swirling Mellotron. Soord also impresses on guitar, going from Tom Morello-style abrasive blasts to evocative slide playing.
Highlights include the title track and the elegiac ballads “Seasons Past” and “From Me”, but this album is both consistent all the way through and contains plenty of variety; from epic balladry to full-on rock, from big walls of sound to stripped-down intimacy.
This is not only their best record since “Tightly Unwound”, but also one of the most accessible things they’ve done. Despite the tighter and more focussed approach to songwriting it’s still got all the depth of their earlier work. This is an essential album for fans of new-generation progressive rock, but fans of progressive-tinged mainstream rock acts like Muse or Elbow ought to find a lot to like about this album.