After a long gap between 2007′s “Dead Reckoning” and 2012′s “March of Progress”, Surrey-based prog-metallers Threshold are back with another new album, their second since the return of singer Damien Wilson for his third stint in the band.
You know what you’re getting with a Threshold album. Everything you’d expect to hear is here; razor-edged riffs, highly melodic twin guitar leads, huge anthemic choruses, and even the occasional widdly-woo synth solo. Damien Wilson remains a class act as a old-school rock vocalist, and as ever, production is slick and polished.
Highlights include “The Box”, a lengthy number building from a balladic introduction through an frenetic prog-metal wig-out to an majestic climax, and the symphonic-tinged “Siren Sky”, the one number penned by most recent recruit Pete Morton. But the whole album is characterised by strong songwriting and, by the standards of progressive metal at least, tight arrangements that don’t stray too far into self-indulgence. Only the bonus track “I Wish I Could” doesn’t quite convince; the reworking of drummer Johanne James’ song from Kyrbgrinder’s “Cold War Technology” lacks the fire and fury of the original.
It’s true that there is little on this record that’s not been heard before on previous albums. Threshold can be criticised for sticking too rigidly to the formula they established by the end of the 1990s, but that’s beside the point. They are still very good at what they do, and they do have a clearly identifiable sound and identity. Even if this record breaks no new ground, it’s an enjoyable listen and a worthwhile addition to their canon.