I think the Five Songs Meme started out on Livejournal and spilled over to the blogosphere.
It’s quite simple – just list five songs you really into at the moment; not your five greatest songs of all time, but five songs you’ve been listening to a lot recently, for any given value of “Recently”. And give a few words explaining why.
Not sure in these social networking days whether blog memes still have any traction, but it gives me an excuse to talk about music, so here it goes.
Barclay James Harvest – The Poet/After the Day
I’m a late convert to Barclay James Harvest. While they’ve been on my radar screen for decades, it was only seeing the John Lees Barclay James Harvest at the 2009 Cambridge Rock Festival that prompted me to start exploring their very extensive back catalogue. The version of this song I’ve been listening to comes from a 2006 live album by the John Lees BJH. It’s the sort of music for which the term “Epic Symphonic Prog” was invented; hugely melodic. massive walls of Mellotron from the late Woolly Woolstenholme, and some fantastic lead guitar. We’re in serious goosebumps territory with this one.
Heather Findlay – Phoenix
The title track from Heather’s debut solo EP. While the stripped-down production is a significant move away from the big wall of sound which characterised her previous band, her distinctive melodic songwriting is still recognisable. This is perhaps the strongest song on the EP, a powerful vocal performance, with some intriguing and very dark lyrics.
Judas Priest – Persecution
The double concept album “Nostradamus” is Judas Priest’s equivalent of Kiss’ “The Elder”. It’s a strange mixture of metal, prog and more than a trace of west-end musical theatre. While parts of the album venture into those most un-Priest regions, it does contain a few old-school metal belters, and this is the best of them.
Liam Davison – Heading Home
Liam’s solo album has been one of the unexpected surprises of the year so far, revealing Liam not only to be a great songwriter but a far better singer than many of us imagined. The production and arrangements recall the cinematic sweep of early Mostly Autumn. This is perhaps my favourite song, ending with a glorious solo backed by washes of keys from Iain Jennings, and a great groove from Stolen Earth/Breathing Space bassist Paul Teasdale.
Phideaux – Have You Hugged Your Robot
I don’t really know that much about this band; “313″ is the only album of their I own, but this song is one of the standouts. Despite a piano figure lifted from Greig’s “Hall of the Mountain King”, this particular song more quirky pop than prog, but there something about the exuberant energy of this song that gets me.
And that’s it.
I’m not going to tag anyone in particular, but anyone who wants to pick this up and run with it is welcome to. Post on your own blog if you’ve got one, in the comments here if you haven’t, or somewhere within Facebook’s walled garden if you really don’t want your words visible to the whole wide Interweb.