Jamala bathes in Neil Clark’s Tears

Photo Albin Olssonlicenced by, Creative Commons BY-SA 4.0

Whatever the merits or otherwise of the songs themselves, Saturday’s Eurovision result giving victory to Ukraine’s Jamala seems to have produced epic levels of salt from Vladimir Putin’s propagandists.

Mark the date. Saturday May 14, 2016, the day the music died and a song contest whose well-intentioned original aim of national harmony has become the latest front in the Western elite’s obsessional and relentless new Cold War against Russia.

A blatantly political song by Ukraine – which should not have been allowed in the contest in the first place as it clearly broke the European Broadcasting Union’s ‘No Politics’ rules – was declared the ‘winner’ of the Eurovision Song Contest, even though the country which got the most votes from the general public was Russia.

What helped Ukraine ‘win’ were the ‘national juries’ panels of so-called ‘music industry professionals’ who were given 50 percent of the votes and who only put Russia in joint fifth place, with 81 fewer points than Ukraine.

That’s a vile little man called Neil Clark, who in a previous life was an apologist from the genocidal Serbian leader Slobodan Milosovic, before and even during his trial for war crimes. It’s hardly surprising this insignificant far left hack is now toadying to Vladimir Putin.

His basic argument is nonsense. In the absense of any song strong enough to capture the imaginations of people who actually care about music, the Eurovision popular vote tends to default towards politics. Russia’s entry was no Lordi.

The only mystery was why the jury vote gave the utterly forgettable boy-band-meets-landfill-indie British entry any points at all.

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2 Responses to Jamala bathes in Neil Clark’s Tears

  1. Synthetase says:

    “The only mystery was why the jury vote gave the utterly forgettable boy-band-meets-landfill-indie British entry any points at all.”

    lol :)

    Yeah, they were yawn-tastic. As were the faux power metal band who apparently didn’t instruct the guy at the mixing desk to actually include their guitars in the final mix. Shame really, a bit of power metal would mix up the parade of “[1] soft piano intro -> [2] verse -> [3] builds to synth chorus -> [4] goto 2 while time != 3 min” pop ballads in attendance. I mean they’re not that bad, it’s just if we’ve heard a few of them, do we really need to hear the rest?

  2. Tim Hall says:

    If you’ve going to enter a rock band in Eurovision, you’ve got to go all out, not do something half-arsed. Do what Lordi did and get rock fans across Europe who don’t normally pay attention to Eurovision to vote.