My “Cult Heroes” piece on Mostly Autumn is now published in The Guardian Music Blog.
It’s both a great honour and more than a bit scary to be asked to write about a favourite band for the online section of a national newspaper, especially when I’m on first name terms with many past and present members of the band. They have always had a few noisy detractors, mostly jealous fans of less successful acts. They also had some very defensive obsessives who used to take the mildest criticism as an personal attack on the band. There was always an outside chance of the comments turning ugly.
I wanted it to read authentically rather than something fanboyish, so I covered the downs as well as the ups; mentioning the mis-marketing during the Classic Rock Productions years as well as the wobbly period when Iain Jennings (briefly) left in 2006. But I hope those are balanced by more than enough strong positives.
With a word count of a thousand words give or take a hundred, there wasn’t room for everything I wanted to include. One thing I’d like to have said more about was the extended family of related bands in their orbit. That includes side-projects like Odin Dragonfly and Josh & Co, as well as separate creative projects by past and present members, such as The Heather Findlay Band, Halo Blind and Cloud Atlas. Or Breathing Space, the side project that took on a life of its own before being reabsorbed back into the mothership. They’re all part of the Mostly Autumn story, and they’re a part of what the fandom is about.