The Guardian posted an article accusing Coldplay of “Cultural Appropriation” over their new music video filmed in India. Regardless of the rights and wrongs of the video itself, there was an implied subtext that any western musicians who include elements of non-western cultures in their art are guilty of racism.
A band most of whom I know personally have recently released an album with lyrics strongly influenced by Indian spirituality. Does that mean that they too are guilty of racism? Does that mean I’m guilty by association through supporting them and giving their album a positive review?
Fortunately enough people whose opinions I trust have dismissed that piece as little more than sub-Buzzfeed button-pushing clickbait. It’s a largely fact-free thinkpiece that doesn’t cite sources or do any proper journalism. It’s the sort of thing you might expect to find on someone’s personal blog, but we ought to expect higher standards from a national newspaper with a long and illustrious history. It’s telling that under The Guardian’s new policy on articles that touch on race, the piece has no comment section, so they won’t get flooded with responses telling them how ridiculous it is. It’s also telling that the writer picked an obvious soft target, a hugely popular but deeply unfashionable band despised by much of The Guardian’s readership.
Cultural Appropriation is a bit of a minefield. It ought to be easy to understand why simplistic racist caricatures belong in the past, or why you should be careful when using sacred religious symbols outside the context of your own faith. Coldplay might even be guilty of those things. But Social Justice Warriors (I hate that term, but it seems to have stuck) take things much further; any attempt by white westerners to create art that references any aspect of non-western cultures is denounced as “problematic”, their term for “sinful”. The truth is there is an enormous grey area between those two extremes, but ideological absolutists don’t do grey areas. So much great music has arisen from cross-fertilisation between different cultures, something which would be squashed if those who would police art in this manner had their way.
There’s a whole cultural ecosystem of media pundits who earn a living playing on misplaced white liberal guilt. Nobody wants to be thought of as racist or sexist, so too much nonsense ends up going unchallenged. The whole subject of Cultural Appropriation is ideal territory for these people. It’s hardly surprising that it was meat and drink for the notorious predator Requires Hate who did so much harm within the world of science-fiction.