A Guardian piece claims that the ‘classic’ album set is ruining festivals. It actually makes some good points, but those points are so clumsily-made that the whole piece reads far more like provocative clickbait than perhaps it should. The last sentence on this quote is a self-evident load of tripe.
This week, there’s even an entire festival in Chicago and Denver dedicated to artists too lazy to write a proper setlist. Weezer, Slayer, Jane’s Addiction and seven more will plough through their biggest albums front-to-back at Riot Fest, so if you want to hear a band you used to like perform a track they wrote as filler 20 years ago, knock yourself out. Be honest: when was the last time you actually played an album, including all those rubbish “skits” artists are so keen on, all the way through?
The “Play a classic album in full” thing got started because fans were getting bored of older bands playing the same standards tour after tour as if they were their own tribute act, and it was an opportunity to shake things up and perform the odd rarely-played song live.
This was a fine approach for bands who have made albums as consistently great as “Moving Pictures” or “Blackwater Park”, but once the trend caught on too many bands who hadn’t actually made a flawless classic jumped on the bandwagon. For them, some of those rarely-played songs were rarely-played for a reason.
There were two such sets on the Prog stage at High Voltage in 2011, Uriah Heep playing “Demons and Wizards” and Martyn Turner’s Wishbone Ash playing “Argus”. The latter worked really well, it’s an album that’s stood the test of time, and it made for a more enjoyable set that the blues-rock workouts you get from Andy Powell’s official Wishbone Ash nowadays. The Heep set was far less effective, much like every 70s Uriah Heep album there was a lot of filler and some of the album had dated very badly. A greatest hits set cherry-picking the best songs from their 40 year career would have been so much better.
Which all goes to show that album-in-full sets are neither a good thing or a bad thing in themselves, but they depend on the band, and on the album.